SACRED MUSIC IN PUBLIC SCHOOLS
Why
teach sacred music in public schools?
When I was
in high school, I remember students complaining about all the “Jesus Music” we
sang in choir. At the time, I didn’t think much of it. If the music was
beautiful, I liked it, if not, I didn’t. However, I could see how students
could get offended by singing a myriad of Christian or Catholic based music.
Today, I
realize the importance of sacred music in a choral program, but I also
understand that I may need to back up this opinion. It is important to choose
your music the music based on its musical and educational value rather than its
religious context. It is also imperative to make it clear to your students that
you are not indorsing one religion over another.
Teaching
sacred music as part of a choral curriculum is my choice as a democratic
educator. “Democratic schools are marked by an emphasis on cooperation and
collaboration rather than competition, and arrangements are created that
encourage young people to improve the life of the community by helping
others. (Beane, Apple 2007). That being said, students reserve the right to
choose to follow or not follow the religion of their choice.

When
choosing repertoire for your choir, it is important to know your school’s views
on sacred music. Each school may have different rules; however, according to
the First Amendment, “the public schools are not required to delete from the
curriculum all materials that may offend any religious sensitivity”.
Although teaching religious music may seem
controversial at first, it is not different than teaching an art class about
the artwork in the Sistine Chapel. The art teacher is not proposing that the
religion is correct or incorrect, just that the art work is beautiful and
should be appreciated. “Likewise, a comprehensive study of music includes
an obligation to become familiar with choral music set to religious texts” (NAfME
2013).
Isn’t
sacred music just meant for Religious Schools?

From a
historical and musical standpoint, sacred music is worth much more than it’s
religious value. Some of the best choral music in the world shares its roots in
sacred music and it should not be ignored. ”The omission of sacred music from
the school curriculum would result in an incomplete educational experience” (NAfME
2013).
Creating a “Religiously
Neutral” Program:
(NAfME 2013)
A religiously neutral program is one that does not show favor or disfavor to any religion. These questions will help to aid you in creating a “religiously neutral” program for your school.
“1. Is the
music selected on the basis of its musical and educational value rather than
its religious context?
2. Does the
teaching of music with sacred text focus on musical and artistic
considerations?
3. Are the
traditions of different people shared and respected?
4. Is the
role of sacred music one of neutrality, neither promoting nor inhibiting
religious views?
5. Are all
local and school policies regarding religious holidays and the use of sacred
music observed?
6. Is the use
of sacred music and religious symbols or scenery avoided? Is performance in
devotional settings avoided?
7. Is there
sensitivity to the various religious beliefs represented by the students and
parents?” (NAfME 2013)
It is
important to create an atmosphere that is accepting and non-biased for the
students and parents that will be attending your concerts. If you are able to
accomplish those things, your program will be an informational and rewarding
experience for everyone.
Don’t be afraid to talk to your students!
Let them know you are not trying to enforce a religion.
Your students have a right to know why you are choosing
religious music. If you get them to understand your reasoning, you are less
likely to get called from parents, or worse, get called into the principal’s
office.
Be aware of your student’s religious beliefs.
If you take the time to notice the religions that are being
practiced in your classroom, you are more able to be sensitive to their
beliefs. Pieces of music from other religions with musical and educational
value can also be incorporated in order to promote acceptance and respect for
other cultures.
No Religion is okay too.
Not
all students practice a religion. Today, atheism is much more common, and it is
important to be sensitive to this as well. Just as with other denominations,
you should not endorse, nor denounce atheism. That being said, you can let your
students know that you respect their choice to follow or not follow a religion.
It is important that your students understand that the religious texts in the
music are just a part of the music and not a doctrine on which to live their
lives.
Resources:
"Sacred Music In Schools“NAfME Music Education.
NAfME,Web. 28 Nov. 2013
Apple, Michael W., and James A.
Beane. "Democratic Schools Lessons in Powerful
Education." Heinemann.
Portsmouth, NH. Web. 5 Dec. 2013
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ReplyDeleteI absolutely love your post! This was a conversation that was heavily debated in my vocal methods class as you well know. One thing that you can consider as well is the community that you teach in. Some communities are very religious in one direction or another as other communities are very diverse and do not have a dominant religious base. I think that as long as you are aware of your students and the communities in which they live then you should have no problems choosing music for your choral program. Just remember it's always better to choose music from a large number of various cultural and/or religious backgrounds than just a few. Diversity is key!
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